1. Introduction to the Proceedings of ICMEM 2015
    Renee Timmers, Nicola Dibben, Zohar Eitan, Roni Granot, Tim Metcalfe, Andrea Schiavio, Victoria Williamson
  2. Part 1: The multisensory basis of musical behavior

  3. The impact of idiopathic synaesthesia on musical abilities
    SOLANGE GLASSER
  4. An inter(en)active approach to musical agency and learning
    ANDREA SCHIAVIO, FRED CUMMINS
  5. The interaction of music and language in the ontogenesis of human communication: A multimodal parent-infant co-regulation system
    MARTINE VAN PUYVELDE, FABIA FRANCO
  6. Part 2: Music and movement

  7. Assessing the contribution of different musical variables to the effect of background music on motor behaviour
    TIM METCALFE
  8. Motor invariants in gestural responses to music
    MATS B. KÜSSNER, BAPTISTE CARAMIAUX
  9. Music, doodles and the autonomic nervous system
    BEATRICE BRETHERTON, KIA NG, LUKE WINDSOR, ROGER WATT
  10. Action observation modulates both the desire to move and the perception of ‘groove’ while listening to percussive music
    DANIEL EAVES, EMILY BURRIDGE, NOOLA GRIFFITHS, THOMAS MCBAIN, NATALIE BUTCHER
  11. Spatial representations of pitch: a comparison between pianists and flautists
    SHEN LI, RENEE TIMMERS
  12. Part 3: New technology and multimedia

  13. Exploring the influence of cellists’ postural movements on musical expressivity
    JOCELYN ROZE, MITSUKO ARAMAKI, CHRISTOPHE BOURDIN, DELPHINE CHADEFAUX, MARVIN DUFRENNE, RICHARD KRONLAND-MARTINET, THIERRY VOINIER, SØLVI YSTAD
  14. Inside-outside: 3-D music through tissue conduction
    IAN MCKENZIE, PETER LENNOX, BRUCE WIGGINS
  15. Designing auditory-tactile perception of music
    SEBASTIAN MERCHEL, M. ERCAN ALTINSOY
  16. The design of tactile musical devices for the deaf
    ROBERT JACK, ANDREW MCPHERSON, TONY STOCKMAN
  17. The influence of image compression rate on perceived audio quality in music video-clips
    DAVID HAMMERSCHMIDT, CLEMENS WÖLLNER
  18. Evaluating the cueing efficiency of sound icon designs in a multimodal system during acoustically chaotic events
    TOM BROPHY, FLAITHRI NEFF, DÓNAL FITZPATRICK, IAN PITT, CHRIS NOONAN, TADHG CARROLL
  19. Part 4: Cross-modal associations in electroacoustic and contemporary music

  20. The effect of differing user interface presentation styles on audio mixing
    JOSH MYCROFT, JOSHUA. D. REISS, TONY STOCKMAN
  21. The effects of descriptive imagery on emotional responses to electroacoustic music
    MADELINE HUBERTH, GE WANG
  22. Cross-modality in multi-channel acousmatic music: the physical and virtual in music where there is ‘nothing to see’
    ADRIAN MOORE
  23. Listen with your Eyes
    DAMIEN RICKETSON
  24. Types of interaction in the use of MotionComposer, a device that turns movement into sound
    ALICIA PEÑALBA, MARÍA-JOSÉ VALLES, ELENA PARTESOTTI, ROSARIO CASTAÑÓN, MARÍA-ÁNGELES SEVILLANO
  25. Part 5: Theoretical perspectives on multimodal music

  26. Imagery in piano pedagogy: visualisation of musical texture in children’s cycle 'Musical Toys' by Sofia Gubaidulina
    SVETLANA RUDENKO
  27. Soundscape composition as a distinct music genre
    ZHIYONG DENG, JIAN KANG, DAIWEI WANG
  28. ‘Song for Aberfan’ - A practice-led investigation of the interplay between musical performance, film and narrative
    BEN EYES
  29. Hearing and visual complementation: a discussion of accent in Chinese opera
    XUEFENG ZHOU